Mimmo Scognamiglio presents The Last Supper by Gavin Turk. The artist presents a series of fading flowers, discarded vessels and used quotidian packaging that sits balanced between presence and disappearance. Flowers glitch in and out of perspective, through layers of paint, appearing to dissolve into the canvas, appearing less as objects than as memories of objects. Left beyond their moment of display, they become reminders of times passage and the fragility of value itself.&nbsp;At the centre of the exhibition is a monumental painting of discarded consumer packaging, collected by the artist, and arranged before creating a time capsule on the canvas. The composition echoes&nbsp;The Last Supper, replacing the figures with the remnants of contemporary consumption.&nbsp;The exhibition and works incorporated draw upon the thinking of Walter Benjamin and his notion of the dialectical image, where past and present collide in a moment of recognition. Religious imagery, art history and consumer culture converge, ruins of the past and ruins of the future, are apparent and always in the forefront of the artists mind – inviting reflection on what contemporary society chooses to value.&nbsp;In a separate room Artist’s Piss a work from 2021, in which artist canned his own piss plays homage to Piero Manzoni’s&nbsp;Merda d’Artista&nbsp;(1961), in which Manzoni tined his own shit and priced it at the market value of Gold, Turk canning his own urine valued his at the price of silver, the artist is the contemporary alchemist, creating order out of ordure.The artist states ‘value is a paradox, you are drawn to objects or moments in time through their cultural value or through their assumed value, I am interested in posing the question what is it that you value? And why?’

Photo: The Last Supper, 2024, Oil paint on canvas, 4000 x 1500mm

Mimmo Scognamiglio presents The Last Supper by Gavin Turk. The artist presents a series of fading flowers, discarded vessels and used quotidian packaging that sits balanced between presence and disappearance. Flowers glitch in and out of perspective, through layers of paint, appearing to dissolve into the canvas, appearing less as objects than as memories of objects. Left beyond their moment of display, they become reminders of times passage and the fragility of value itself. 

The Last Supper 

Ben Brown Fine Arts, Hong Kong is pleased to present&nbsp;‘Betwixt’&nbsp;an exhibition bringing together three distinct and recent bodies of painting by British artist Gavin Turk.&nbsp;Doors, candles and still life’s fill the gallery, the colour pallete a subtle warmth hue - domestic anthropology defined by Turk ‘as the exploration of the domestic, with the question of value, and the act of re-noticing’.The works are each a study in liminal states, poised between presence and absence, arrival and departure. They hold a comfort, yet an unsettling feeling – each preserving an action that has just taken place, be it an extinguished candle, a door left ajar, or a selection of quotidian objects set in a scene: something we feel we have seen before, yet something has changed. Here the domestic reveals itself as the orginal site of the uncanny (the unheimlich, literally the un-homely’) where the most familiar surrounds are the ones most capable of estrangement. The works all share a common structure, a familiar image, borrowed from art history or daily life, subtly destabilised until it becomes a threshold rather than a fixed thing, in the manner of Magritte’s surrealist doors, candles and bottles – objects rendered strange precisely through their exactness.&nbsp;The exhibition takes it title form the old English word ‘Betwixt’ defined as the idea of being caught between two conditions, a state that Turk has explored for more than three decades now through his interrogation of authorship, value and belief.&nbsp;Each work within the series takes it’s starting point from an art historical master, the Candles from the series KERZE, reminiscent of Gerhard Richter’s photorealist candle paintings. The Still Life’s, hold a familiar frame and feel to those by Giorgio Marandi, however the objects in this series are current and domestic discarded packaging elevated by the assemblage and capturing by the artist hand. The Door paintings life size are titled after a number of artists that predate Turk, Duchamp, Richter, Hammershøi, de Chirico with each door holding a different panel configurations.&nbsp;&nbsp;

Kerzen (Schwarz und Weiß), 2022

Ben Brown Fine Arts, Hong Kong is pleased to present ‘Betwixt’ an exhibition bringing together three distinct and recent bodies of painting by British artist Gavin Turk. Doors, candles and still life’s fill the gallery, the colour pallete a subtle warmth hue - domestic anthropology defined by Turk ‘as the exploration of the domestic, with the question of value, and the act of re-noticing’.

Betwixt

What does home mean to you? Where do you feel most at home? How does home shape your identity and make you feel safe? How does it provide the space for you to be creative?80 years ago, Plymouth was emerging from the shadow of the Blitz. Planner Patrick Abercrombie and Plymouth City Engineer and Surveyor James Paton Watson’s ‘A Plan for Plymouth’ (1943) had outlined ambitious ideas for the rebuilding of the city, while Jill Craigie’s film ‘The Way We Live’ (1946) was showing what post-war family life looked like, and had taken a radical approach by engaging local residents rather than professional actors to ask questions about how people wanted to live.Now, in 2026, the city stands on the threshold of another era of major regeneration – one that isn’t just thinking about years but decades.As Plymouth embarks on this defining new chapter The Way We Live uses archival collections, sculpture, installation, painting, photography and film to explore ideas of home, housing and community and consider the wider debate about how we want to live in the future.For further information click <a href="https://www.theboxplymouth.com/events/exhibitions/looking-ahead">here</a>.

This vintage photograph shows children playing on a concrete igloo climbing frame at Tothill Children's Playground in Plymouth on December 31, 1958

What does home mean to you? Where do you feel most at home? How does home shape your identity and make you feel safe? How does it provide the space for you to be creative?

THE WAY WE LIVE 

Galerist celebrates its 25th anniversary with Labour of Love, an exhibition bringing together nearly 50 artists whose practices have shaped the gallery’s identity since its founding. Opening on 16 September 2026, the exhibition brings together significant works that have marked Galerist’s history alongside newly produced works, tracing artistic affinities, long-standing relationships and shared commitments. Founded in 2001, Galerist has developed its programme around long-term relationships with artists from different generations, intellectual exchange and a sustained dialogue grounded in continuity. Across nearly 200 exhibitions, the gallery has provided space for emerging artistic practices while supporting the development of established ones; it has safeguarded artistic legacies and contributed to the international visibility of contemporary art from Türkiye. Bringing together different generations, media and artistic approaches, with a commitment to equal gender representation, this artist-centred approach forms the foundation of Galerist’s 25-year history.Rather than looking at this history through its archive, Labour of Love opens up a reflection on Galerist through the works of the artists who have shaped it. The works brought together in the exhibition can be read as self-portraits within the artists’ individual practices, while collectively forming a portrait of Galerist itself. Here, the notion of the self-portrait extends beyond an image representing the artist, encompassing recurring forms, material choices, gestures, symbols, methods of production and the conceptual concerns that define an artistic practice. The title of the exhibition brings into focus the often invisible labour, care, commitment and belief that lie at the heart of artistic production and long-standing relationships. It also points to the sustained effort required to build a gallery over time, through relationships with artists, institutions, art professionals, collectors and audiences. Rather than commemorating a completed past, the exhibition celebrates a story that is still being written; while honouring twenty-five years of Galerist’s journey, it also looks towards the future made possible by these enduring relationships.Labour of Love&nbsp;brings together works by : mentalKLINIK, Hüseyin Bahri Alptekin, Haluk Akakçe, Yeşim Akdeniz, Rasim Aksan, Francesco Albano, Semiha Berksoy, Hera Büyüktaşcıyan, Taner Ceylan, Hussein Chalayan, Michael Craig-Martin, Ergin Çavuşoğlu, İpek Duben, Ayşe Erkmen, Leylâ Gediz, Kendell Geers, Anton Henning, Mustafa Hulusi, İdil İlkin, Merve İşeri, Şahin Kaygun, Nuri Kuzucan, Arik Levy, Merve Morkoç, Youssef Nabil, Julian Opie, Lara Ögel, Serkan Özkaya, Güçlü Öztekin, Seza Paker, Thomas Ruff, Sarkis, Yusuf Sevinçli, Erinç Seymen, Arslan Sükan, Murat Şahinler, Ali Emir Tapan, Evren Tekinoktay, Ayça Telgeren, Defne Tesal, Margaret R. Thompson, TUNCA, Gavin Turk, Elif Uras, Viron Erol Vert, Erwin Wurm, Burcu Yağcıoğlu, Nil Yalter,&nbsp;and Nazım Ünal Yılmaz.For further information click <a href="https://www.galerist.com.tr/exhibitions/162-labour-of-love/">here</a>.

25 Years with Labour of Love

Galerist celebrates its 25th anniversary with Labour of Love, an exhibition bringing together nearly 50 artists whose practices have shaped the gallery’s identity since its founding. Opening on 16 September 2026, the exhibition brings together significant works that have marked Galerist’s history alongside newly produced works, tracing artistic affinities, long-standing relationships and shared commitments.

LABOUR OF LOVE

Curated by Joseph Sakoilsky, Artists include: Joseph Sakoilsky • Gavin Turk • Edgar Honetschläger • Paul Renner • Kata Oelschlägel • Chaney Diao • Ilse Kind • Sjeng Kessels • Max Böhme • Dean Maassen • Lena Hugger •&nbsp;Mads Marone • Paul Sakoilsky&nbsp; Natural Stupidity June 1st 2025&nbsp;The edges are smooth, the risk is stale. Even the rage is aesthetic now.&nbsp; The glitch, curated. The ugliness, styled.&nbsp; The outsider has PR.&nbsp; Everything’s digestible. Even trauma comes pre-filtered and cropped for the feed. This is where the skin splits.&nbsp; When the system begs for polish, we spew it back up and sign it.&nbsp; When the algorithm begs for fluency, we grunt and stutter.&nbsp; This is not lo-fi. This is not aestheticised failure.&nbsp; This is failure that doesn’t cooperate.&nbsp; This is dumb, messy, too much — slop for the feed.&nbsp; We are not ironic.&nbsp; We are not detached.&nbsp; We are not performing being broken.&nbsp; We are fucking broken.&nbsp; AI didn’t ruin art. It just revealed the emptiness already there.&nbsp; The smooth surfaces. The recursive cleverness.&nbsp; The feedback-loop of “interesting” that means nothing.&nbsp; AI is the perfect artist now —&nbsp; because the art world already thinks like AI: data in, output out,&nbsp; don’t bleed on anything.&nbsp; We bleed on everything.&nbsp; We are not here to impress.&nbsp; We are not here to finish the work.&nbsp; We are not here to be decoded.&nbsp; We are the static before the song.&nbsp; We are the cough in the take.&nbsp; We are the sketch you’re ashamed to show.&nbsp; We are the version deleted when you came to your senses.&nbsp; We are the thing that gets made before you know why.&nbsp; This isn’t counterculture. There is no culture.&nbsp; There’s only the loop and the break.&nbsp; Natural Stupidity is the break.&nbsp; No manifesto. No key images. No proof.&nbsp; Only traces. Only gestures that didn’t that didn’t land.&nbsp; Only a refusal to optimise.&nbsp; If it doesn’t embarrass you, you’re doing it wrong.&nbsp; If it doesn’t cost you, you’re lying.&nbsp; If it fits in the frame, you’ve already failed.

Curated by Joseph Sakoilsky, Artists include: Joseph Sakoilsky • Gavin Turk • Edgar Honetschläger • Paul Renner • Kata Oelschlägel • Chaney Diao • Ilse Kind • Sjeng Kessels • Max Böhme • Dean Maassen • Lena Hugger • Mads Marone • Paul Sakoilsky Natural Stupidity June 1st 2025 

Natural Stupidity

The Taguchi Art Collection is a world-renowned contemporary art collection, built from a unique perspective by entrepreneur Hiroshi Taguchi and his daughter, Miwa Taguchi, through their keen observation of global economic trends and the art scene. Covering a diverse range of works by emerging to mid-career artists from across the globe—including Europe, the Americas, Asia, and Africa—the collection offers a compelling reflection of "the now."This exhibition marks the first time the Taguchi Art Collection (Tagu-Colle) is being introduced in Miyazaki. Part 1, "The Door to Contemporary Art," serves as an entry point into the world of contemporary art, featuring sculptures, videos, and installations by artists such as Kohei Nawa, Yusuke Asai, and José Dávila. Part 2, "The Grand Hall of Contemporary Art," showcases works from various regions, centering on artists who have participated in the prestigious Venice Biennale, including the increasingly prominent Ethiopian artist Elias Sime. Part 3, "Visiting the Artists," focuses on influential Japanese artists of various generations, such as Takashi Murakami, Yoshitomo Nara, and Izumi Kato, highlighting the current landscape of Japanese contemporary art. From the collection’s vast archive of over 700 works, we are proud to present approximately 70 exceptional pieces, including 17 works being unveiled to the public for the first time. We invite you to experience this encounter with diverse and unique expressions that mirror our contemporary world, and to rediscover artists who have previously visited the Miyazaki Prefectural Art Museum as guest speakers or jurors. Organized by Miyazaki Prefectural Art Museum, Miyazaki Nichinichi Shimbun, UMK TV Miyazaki In collaboration with Taguchi Foundation, Artsplus Institute of Contemporary Art, Art Office Shiobara Supported by Miyazaki Prefectural Arts and Culture Association, Miyazaki Prefecture Association of Municipal Boards of EducationArtists Satoru Aoyama / Joël Andrianomearisoa / Yusuke Asai / Miriam Cahn / Jose Dávila / Damien Hirst / Jenny Holzer / Mari Katayama / Izumi Kato / Abdoulaye Konaté / Tomoko Konoike / Yayoi Kusama / Alicja Kwade / Gonzalo Lebrija / Roy Lichtenstein / Ad Minoliti / Yasumasa Morimura / Richard Mosse / Takashi Murakami / Yoshitomo Nara / Kohei Nawa / Shinro Ohtake / Yoko Ono / Gabriel Orozco / Laure Prouvost / Elias Sime / Mika Shimauchi / Chiharu Shiota / Yutaka Sone / Hajime Sorayama / Hiraku Suzuki / Gavin Turk / Xavier Veilhan / Erwin Wurm / Lynette Yiadom-BoakyeFor further info click <a href="https://taguchiartcollection.jp/en/exhibition/2026-miyazaki/">here</a>.&nbsp;

The Taguchi Art Collection is a world-renowned contemporary art collection, built from a unique perspective by entrepreneur Hiroshi Taguchi and his daughter, Miwa Taguchi, through their keen observation of global economic trends and the art scene. Covering a diverse range of works by emerging to mid-career artists from across the globe—including Europe, the Americas, Asia, and Africa—the collection offers a compelling reflection of "the now."

MIYAZAKI meets Taguchi Art Collection: What is Contemporary Art?

Royal Academy Summer Exhibition 2026The Royal Academy’s Summer Exhibition returns as one of the UK's most anticipated cultural events, bringing together work by established artists, emerging talent, Royal Academicians, and members of the public. Spanning painting, sculpture, photography, architecture, film, and digital art, the exhibition offers a vibrant snapshot of contemporary art and ideas.Curated by Ryan Gander, the 2026 exhibition is themed Interconnectedness, exploring the relationships, associations, and unexpected connections that link people, ideas, and creative practices. Works from all disciplines are displayed together throughout the galleries, encouraging dialogue across different media and perspectives.Alongside the art, visitors can enjoy late openings, social spaces including the in-gallery gin bar, and the opportunity to purchase many of the exhibited works. More than an exhibition, the Summer Exhibition remains a unique annual celebration of creativity, community, and contemporary culture.

Gallery view of the Summer Exhibition 2026, at the Royal Academy of Arts, London, 16 June - 23 August 2026. 

Royal Academy Summer Exhibition 2026The Royal Academy’s Summer Exhibition returns as one of the UK's most anticipated cultural events, bringing together work by established artists, emerging talent, Royal Academicians, and members of the public. Spanning painting, sculpture, photography, architecture, film, and digital art, the exhibition offers a vibrant snapshot of contemporary art and ideas.

Royal Academy Summer Exhibition 2026 

Kyoto City KYOCERA Museum of Art&nbsp; This exhibition explores the dynamic evolution of British art from the late 1980s to the early 2000s. After going through the Thatcher era (1979–1990), a charged and uncertain social climate gave rise to a new generation of artists who challenged traditional norms and embraced bold, experimental practices.&nbsp;Many of the newer generation of artists who came to prominence in the 1990s were referred to in the art and popular media&nbsp;under the title Young British Artists (YBAs). Alongside other artists active at the time, these artists explored themes such as popular culture, personal identity, and shifting social structures. They worked across a diverse range of media, including painting, sculpture, photography, video, and installation. Featuring around 100 works by approximately 60 artists, the exhibition traces the radical creativity and groundbreaking approaches that redefined British art in the 1990s.SARAH AINSLIE •&nbsp;FRANCIS BACON •&nbsp;RICHARD BILLINGHAM •&nbsp;SUTAPA BISWAS •&nbsp;BLACK AUDIO FILM COLLECTIVE •&nbsp;HENRY BOND •&nbsp;CHRISTINE BORLAND •&nbsp;ANGELA BULLOCH •&nbsp;HELEN CHADWICK •&nbsp;DINOS CHAPMAN •&nbsp;JAKE CHAPMAN •&nbsp;MAT COLLISHAW •&nbsp;KEITH COVENTRY •&nbsp;MICHAEL CRAIG-MARTIN •&nbsp;MARTIN CREED •&nbsp;JEREMY DELLER •&nbsp;CATHY DE MONCHAUX • TRACEY EMIN •&nbsp;CEAL FLOYER •&nbsp;MARK FRANCIS •&nbsp;ANYA GALLACCIO •&nbsp;GILBERT &amp; GEORGE •&nbsp;LIAM GILLICK •&nbsp;DOUGLAS GORDON •&nbsp;LUCY GUNNING •&nbsp;RICHARD HAMILTON •&nbsp;MONA HATOUM •&nbsp;LUBAINA HIMID •&nbsp;DAMIEN HIRST •&nbsp;GARY HUME •&nbsp;DEREK JARMAN •&nbsp;SARAH JONES • ANISH KAPOOR •&nbsp;JIM LAMBIE •&nbsp;MICHAEL LANDY •&nbsp;MARK LECKEY •&nbsp;SARAH LUCAS •&nbsp;STEVE MCQUEEN •&nbsp;LISA MILROY •&nbsp;SEAMUS NICOLSON •&nbsp;CHRIS OFILI •&nbsp;JULIAN OPIE • CORNELIA PARKER •&nbsp;SIMON PATTERSON •&nbsp;GRAYSON PERRY •&nbsp;STEVEN PIPPIN •&nbsp;MARC QUINN •&nbsp;JULIE ROBERTS •&nbsp;DAVID ROBILLIARD • JOHNNIE SHAND KYDD •&nbsp;DAVID SHRIGLEY •&nbsp;GEORGINA STARR •&nbsp;WOLFGANG TILLMANS •&nbsp;GAVIN TURK •&nbsp;MARK WALLINGER •&nbsp;GILLIAN WEARING •&nbsp;RACHEL WHITEREAD •&nbsp;ELIZABETH WRIGHTFor further info please click <a href="https://www.ybabeyond.jp/en/#artists">here</a>.

YBA & BEYOND show invite

YBA & BEYOND - British Art in the 90s from the Tate Collection

Baldwin Gallery is pleased to present ‘A Quotidian Life’, the second solo exhibition of British artist Gavin Turk in Aspen. The exhibition will present a recent series of still-life paintings that pay homage to early 20th century Italian artist Giorgio Morandi. In typical Turk style he has subverted Morandi’s serene arrangements of vases and handmade vessels, by replacing the models with quotidian product packaging.Looking at the precious and overlooked nature of product packaging, I have become a domestic anthropologist, attempting to uncover the conspiracy of blindness imposed by ideological perspectives.&nbsp;- Gavin Turk&nbsp;The paintings in this anachronistic series are meticulously executed in a restricted tonal palette against a monochrome ground, some of the objects are highlighted in accents of colour, inviting a close study of rhythmically arranged lines and forms. The audience is encouraged to explore this curious juxtaposition, as empty containers from used products are elevated to classical models, while simultaneously reminding us of our consumer driven culture.&nbsp;Turk began this project by preserving and cataloguing used disposable packaging, in what the artist refers to as ‘an exercise in self-portraiture’. The artwork titles list the products depicted in each composition, Turk offers a glimpse into his consumption habits, prompting reflection on the significance of these mundane artifacts as traces of human presence over time. As Turk aptly states, "We are what we throw away." Each work is set within a bespoke frame, suggesting a distinctive historical journey for each piece, culminating in their convergence for this exhibition.&nbsp;Through this exploration, the viewers are challenged to reconsider the implications of their daily consumer choices and draw awareness to the nostalgia and branding of consumer products. Turk is renowned for transforming banal, overlooked objects – refuse bags, apple cores, matchboxes, Styrofoam cups, shipping containers, candle – into intricately constructed works of fine art, whether through his hand-painted bronzes or masterful canvas paintings, overthrowing art historical conventions, disrupting the canon, questioning authorship, and imploring critique of human behaviour and our relationship to relics of our time. This ingenious new body of work is at once tongue-in-cheek, visually, and technically compelling, familiarly nostalgic, and provokes imperative reflection.&nbsp;

  Gavin Turk The Groovy Food Organic Agave Nectar, Whittard English Breakfast Loose Tea Pouch, Maldon Sea Salt Flakes, M&S Table Salt, 2024

Baldwin Gallery is pleased to present ‘A Quotidian Life’, the second solo exhibition of British artist Gavin Turk in Aspen. The exhibition will present a recent series of still-life paintings that pay homage to early 20th century Italian artist Giorgio Morandi. In typical Turk style he has subverted Morandi’s serene arrangements of vases and handmade vessels, by replacing the models with quotidian product packaging.

A Quotidian Life 

Q: When is a door not a door? A: When it is ajar.Ben Brown Fine Arts is pleased to present The Escapologist, the sixth solo exhibition of British artist Gavin Turk at the London gallery. The exhibition showcases a new series of oil paintings depicting doors left ajar, each offering a glimpse into an ambiguous and surreal terrain beyond. Shown together, the works transform the gallery into a labyrinth of thresholds. Each painting functions as a portal, drawing the viewer towards a narrow opening that reveals a field of smooth, liquid brushwork. These passages dissolve into bands of luminous colour that suggest an atmospheric horizon, generating unstable optical effects that coax the eye into a false sense of depth. For more than three decades, Turk has relentlessly interrogated the systems through which belief is produced – in images, in authorship, in value – using familiar forms, art historical tropes, psychoanalytic symbols and dreamlike objects to set perceptual traps. The door is a recurring motif in his practice and, like the egg that also appears throughout his work, carries both Surrealist symbolism and art historical weight. As Turk notes, “When I see a door in a doorframe, I also see an egg. An egg is all door, in that sense, the door is both a point of departure and arrival.” A ubiquitous object, the door embodies paradox. It marks both beginnings and endings and defines the unstable relationship between inside and outside.For further information please click <a href="https://www.benbrownfinearts.com/exhibitions/229-gavin-turk-the-escapologist/">here</a>.&nbsp;

Q: When is a door not a door?A: When it is ajar.

The Escapologist 

The exhibition Everything Is Political! presented since 7 November in Clichy, will open in Senlis from 21 February 2026.This new chapter strongly asserts that politics is not confined to institutions or official discourse: it runs through our bodies, our relationships, and our imaginations.At a time of growing distrust toward structures of power, the exhibition brings to light their mechanisms, their strategies of influence, and their concrete effects on our lives.In resonance with the works shown in Clichy, the Senlis presentation reveals the fault lines of our societies: relations of domination, systems of control, and forms of violence—whether explicit or insidious. These are realities that the artists render visible, interrogate, and reframe.The aim is not shock or paralysis, but the awakening of a critical gaze and the possibility of resistance.Artists: Adel Abdessemed, Carlos Aires, Willem Andersson, Vladimir Anselm, Nasser Bakhshi, Neïl Beloufa, Barton Lidice Benes, Gilles Caron, Philippe Chancel, Andy Denzler, Raymond Depardon, Subodh Gupta, Greg Haberny, Debora Hirsch, Alain Josseau, Naji Kamouche, Youcef Korichi, Rachel Labastie, Dorothea Lange, Senzeni Marasela, Filip Markiewicz, Antoni Miralda, Roghayeh Najdi, Stéphane Pencréac’h, Gilles Saussier, Leszek Skurski, Gavin Turk.

The exhibition Everything Is Political! presented since 7 November in Clichy, will open in Senlis from 21 February 2026.This new chapter strongly asserts that politics is not confined to institutions or official discourse: it runs through our bodies, our relationships, and our imaginations.At a time of growing distrust toward structures of power, the exhibition brings to light their mechanisms, their strategies of influence, and their concrete effects on our lives.

TOUT EST POLITIQUE! SENLIS

This exhibition explores the dynamic evolution of British art from the late 1980s to the early 2000s. After going through the Thatcher era (1979–1990), a charged and uncertain social climate gave rise to a new generation of artists who challenged traditional norms and embraced bold, experimental practices.&nbsp;Many of the newer generation of artists who came to prominence in the 1990s were referred to in the art and popular media&nbsp;under the title Young British Artists (YBAs). Alongside other artists active at the time, these artists explored themes such as popular culture, personal identity, and shifting social structures. They worked across a diverse range of media, including painting, sculpture, photography, video, and installation. Featuring around 100 works by approximately 60 artists, the exhibition traces the radical creativity and groundbreaking approaches that redefined British art in the 1990s.SARAH AINSLIE •&nbsp;FRANCIS BACON •&nbsp;RICHARD BILLINGHAM •&nbsp;SUTAPA BISWAS •&nbsp;BLACK AUDIO FILM COLLECTIVE •&nbsp;HENRY BOND •&nbsp;CHRISTINE BORLAND •&nbsp;ANGELA BULLOCH •&nbsp;HELEN CHADWICK •&nbsp;DINOS CHAPMAN •&nbsp;JAKE CHAPMAN •&nbsp;MAT COLLISHAW •&nbsp;KEITH COVENTRY •&nbsp;MICHAEL CRAIG-MARTIN •&nbsp;MARTIN CREED •&nbsp;JEREMY DELLER •&nbsp;CATHY DE MONCHAUX • TRACEY EMIN •&nbsp;CEAL FLOYER •&nbsp;MARK FRANCIS •&nbsp;ANYA GALLACCIO •&nbsp;GILBERT &amp; GEORGE •&nbsp;LIAM GILLICK •&nbsp;DOUGLAS GORDON •&nbsp;LUCY GUNNING •&nbsp;RICHARD HAMILTON •&nbsp;MONA HATOUM •&nbsp;LUBAINA HIMID •&nbsp;DAMIEN HIRST •&nbsp;GARY HUME •&nbsp;DEREK JARMAN •&nbsp;SARAH JONES • ANISH KAPOOR •&nbsp;JIM LAMBIE •&nbsp;MICHAEL LANDY •&nbsp;MARK LECKEY •&nbsp;SARAH LUCAS •&nbsp;STEVE MCQUEEN •&nbsp;LISA MILROY •&nbsp;SEAMUS NICOLSON •&nbsp;CHRIS OFILI •&nbsp;JULIAN OPIE • CORNELIA PARKER •&nbsp;SIMON PATTERSON •&nbsp;GRAYSON PERRY •&nbsp;STEVEN PIPPIN •&nbsp;MARC QUINN •&nbsp;JULIE ROBERTS •&nbsp;DAVID ROBILLIARD • JOHNNIE SHAND KYDD •&nbsp;DAVID SHRIGLEY •&nbsp;GEORGINA STARR •&nbsp;WOLFGANG TILLMANS •&nbsp;GAVIN TURK •&nbsp;MARK WALLINGER •&nbsp;GILLIAN WEARING •&nbsp;RACHEL WHITEREAD •&nbsp;ELIZABETH WRIGHTFor more information on the show please click <a href="https://www.ybabeyond.jp/en/#artists">here</a>.&nbsp;

This exhibition explores the dynamic evolution of British art from the late 1980s to the early 2000s. After going through the Thatcher era (1979–1990), a charged and uncertain social climate gave rise to a new generation of artists who challenged traditional norms and embraced bold, experimental practices. Many of the newer generation of artists who came to prominence in the 1990s were referred to in the art and popular media under the title Young British Artists (YBAs).