Silikscreen on canvas

1700 x 27590 mm3 parts form one complete canvas 27m long:1.7 x 13 m (large stretcher bar)1.7 x 11 m (large stretcher bar)1.7 x 3.59 m (large stretcher bar)


On the occasion of the 55th Venice Biennale Turk created a site specific project for the Gervasuti Foundation. The installation comprised of a work based on the artist’s ongoing Transit Disaster series. The title is a pun on ‘van’ and ‘vernacular‘, a metaphor implying the social connotations that the iconic white Ford van of the ‘90s represents in British society and a paradoxical play on the Venetian urban context, a city without roads. Vanacular reconfigures a language of identity between that which is considered an accident of fate and that which is invested with intent, both in art and in life. Turk often recycles famous art historical imagery in order to make contemporary societal correlations. Vanacular revives the classic pop-art technique of silk-screen-on-canvas while referencing the works of its most celebrated exponents Andy Warhol and Robert Raushenberg with his 18 metre long Currents (1970). Inspired by Warhol’s famous Death And Disaster series (1962-3), which were derived from photographs of fatal car accidents taken from newspapers, Turk’s Vanacular comprises of a 27 metre long canvas with a selection of sourced images of crashed and/or burnt-out Ford Transit vans. The expressive shapes of the distorted metal, every scratch as if charged with meaning, also allude to the underlying social tensions that led to the 2011 London riots which some of these images come from. The repeated still images silk-screened in a ‘Warhol style’ range of colour combinations produce an animated effect as if to suggest a disaster movie. The orchestration of colours enhances this sense of motion which in turn effects a transformation or change from the stasis of the crashed vans into a new energy or lifeforce. The Transit Disaster series is not merely a pastiche of Warhol’s famous car crash paintings since Turk replaces the American car with an image of a white transit van, a symbol of a disappearing era of working class Britain. Vanacular also relates, albeit indirectly, to the term ‘Fordism’, the notion of a modern economic and social system based on an assembly line of mass production for a mass market. Turk’s Vanacular represents a visual manifestation of urban unrest, which through continuous clashes and disasters is heading towards a materialistic mutation.