Vincent's Van Boots

Glass and mixed media

Cave Drawing 20/4/20

Coloured pencil on paperPrint of font

Coloured pencil on paperPrint of font

Outsider

Rain Box

Packaging

Consume

Sculpture

Red and Black Geometry

Acrylic paint and diamond dust on canvas

Eggs

Painting

Shield (egg)

Nidra Landscape

This work is from a series titled ‘Cosmic Eggs’, where off cut plywood egg shapes are used as tables in the production of other works, where overspray accidents and colour tests are sealed with layers of varnish and the edge finished. In this case at the top of the painting shows remnants of an experimental sprayed yellow stick, or a magic wand.

Magic Wand (egg)

Mixed media and resin on plywood

This work is from a series titled ‘Cosmic Eggs’, where off cut plywood egg shapes are used as tables in the production of other works, where overspray accidents and colour tests are sealed with layers of varnish and the edge finished. In this case at the top of the painting shows remnants of an experimental sprayed yellow stick, or a magic wand. 

A green lino staircase, the kind you ascend on a visit to a municipal office, mild smell of bleach and a tinge of dread – the unheimlich. This work and the title are also reminiscent of Gerhard Richter’s ‘Ema (Nude on a Staircase)’ &amp; also Marcel Duchamp’s infamous ‘Nude on a Staircase (No.2)’. Thresholds continue to appear in Gavin Turk’s work again, and again, in the form of windows, doorways, eggs and art historical framing, the artist asks the viewer to pass through the image to a new paradigm.

Naked Staircase

Oil and acrylic on canvas

A green lino staircase, the kind you ascend on a visit to a municipal office, mild smell of bleach and a tinge of dread – the unheimlich. This work and the title are also reminiscent of Gerhard Richter’s ‘Ema (Nude on a Staircase)’ & also Marcel Duchamp’s infamous ‘Nude on a Staircase (No.2)’. Thresholds continue to appear in Gavin Turk’s work again, and again, in the form of windows, doorways, eggs and art historical framing, the artist asks the viewer to pass through the image to a new paradigm.

Art History

A green lino staircase, the kind you ascend on a visit to a municipal office, mild smell of bleach and a tinge of dread – the unheimlich. This work and the title are also reminiscent of Gerhard Richter’s ‘Ema (Nude on a Staircase)’ & also Marcel Duchamp’s infamous ‘Nude on a Staircase (No.2)’. Thresholds continue to appear in Gavin Turk’s work again, and again, in the form of windows, doorways, eggs and art historical framing, the artist asks the viewer to pass through the image to a new paradigm.

Frottage (Small Wrapped Painting) 

Holy Egg (GT Reversed White)

Acrylic on canvas with string 

Alchemy

Holy Egg (Large Shiny Copper) 

Polished copper on birch ply stretcher 

Holy Egg (Small Shiny Copper)

Cave Drawing 7/4/20

Cave Drawing 8/5/20

For the Glove of God 

Acrylic paint peel on paper

Frame Making (egg)

Framed Cosmic Painting (working title)

Cave Drawing 29/6/20

Mythology

Cave Drawing 4/4/20 

Cave Drawing 7/11/20

Cave Drawing 1/12/20

Cave Drawing 10/11/20

Cave Drawing 17/4/20

Cave Drawing 18/3/20

Cave Drawing 19/3/20

Embroidery

Etching

Film

Found Object

Glass

Installation

Mixed Media

Object Trouvé

Painted Bronze

Photographic Work

Public Sculpture

Ready Made

Silkscreen

Work on paper

Aeroplastics Contemporary, Brussels

Ben Brown Fine Arts, London

David Nolan Gallery, New York

Galerie Krinzinger, Vienna

Maruani Mercier, Brussels & Knokke

Paul Stolper, London

Reflex, Amsterdam

Gavin Turk

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