Playworn Pig

Enamel, acrylic, wood and fibreglass

Trompe L'oeil

Animalia

Public Sculpture

Fourteen framed watercolours on paper

Work on paper

The Last Bottle 

Plywood, plexiglass and found water-bottles

Bottles

Recycling

Untitled (Newham 069, 751)

Untitled (Newham 229)

Sculpture

Untitled (Newham 433)

Veg Box

Painted bronze

Packaging

Consume

Painted Bronze

Vermillion Geometry

Acrylic paint and diamond dust on canvas

Alchemy

Eggs

Painting

Waiting Bottle

Water Colour Water Bottle

Small Pink on Red

Small Purple on Green

Pistoletto's Apple Core 

Digital print on mirror polished stainless steel

Apples

Waste

Photographic Work

Pistoletto's Matchbox 

Fire

Pistoletto's Toilet Roll 

Pistoletto's Used Tea Cup with Bite Marks

Pure Life

Small Blue on Yellow

Small Green on Blue

Manzonian Cylinder

Message in a Bottle

Plastic bottle in douglas fir plywood box

Orange and Red

Kerze

Oil and acrylic on canvas

Disembodied from any room, structure or building, this ‘larger than life’ painted bronze door, is freestanding, open at 45°’s to the frame. This internal wooden door now placed in the park has different colours painted on each side, the door shows signs of age and wear which are painted onto its surface. Its giant bronze door handle and keyhole seem to shrink the viewer. ‘I continued to look at the flowers, and in their living light I seemed to detect the qualitative equivalent of breathing -but of a breathing without returns to a starting point, with no recurrent ebbs but only a repeated flow from beauty to heightened beauty, from deeper to ever deeper meaning.’ - Aldous Huxley, The Doors of Perception This work invokes Magritte’s painting ‘La Victoire’ and the title references Luis Bunuel’s surreal film of the same name. It is a playful surrealist public artwork that the audience enjoys interacting with as a gateway to their imagination. L’Âge d’Or teases the audience to question notions of home, security, architecture and also the bolder concepts of inside and outside. The work can also be seen in the context of Marcel Duchamp’s door in rue Larrey and Jasper Johns’ painted bronze Ballentine beer cans. Question: When is a door not a door? Answer: When it’s ajar

L'Âge d'Or (Green & Red)

Disembodied from any room, structure or building, this ‘larger than life’ painted bronze door, is freestanding, open at 45°’s to the frame. This internal wooden door now placed in the park has different colours painted on each side, the door shows signs of age and wear which are painted onto its surface. Its giant bronze door handle and keyhole seem to shrink the viewer. ‘I continued to look at the flowers, and in their living light I seemed to detect the qualitative equivalent of breathing -but of a breathing without returns to a starting point, with no recurrent ebbs but only a repeated flow from beauty to heightened beauty, from deeper to ever deeper meaning.’ - Aldous Huxley, The Doors of Perception This work invokes Magritte’s painting ‘La Victoire’ and the title references Luis Bunuel’s surreal film of the same name. It is a playful surrealist public artwork that the audience enjoys interacting with as a gateway to their imagination. L’Âge d’Or teases the audience to question notions of home, security, architecture and also the bolder concepts of inside and outside. The work can also be seen in the context of Marcel Duchamp’s door in rue Larrey and Jasper Johns’ painted bronze Ballentine beer cans. Question: When is a door not a door? Answer: When it’s ajar

Doors

Fate

Duchamp

Infinity

Disembodied from any room, structure or building, this ‘larger than life’ painted bronze door, is freestanding, open at 45°’s to the frame. This internal wooden door now placed in the park has different colours painted on each side, the door shows signs of age and wear which are painted onto its surface. Its giant bronze door handle and keyhole seem to shrink the viewer.

Lemon Geometry

Losing Your Bottle

Lying Bottle

Here and Now

Highland Bottle

‘Cosmic Eggs’ are a series of cut out plywood egg shapes, used as tables in the production of other works, where overspray accidents and colour tests are sealed with layers of varnish and the edge finished. The painting shows remnants or shadows of past works created. The egg is a symbol of spring, fragility, loss of innocence, the beginning and the end, luck, or wealth. It's an oval or round reproductive body, a food store, and a shield. Within art it is a visual shorthand for the surrealism of imagination, new life, and un-hatched potential. The egg ushers in the next generation with new ideas realised.

Cosmic Egg

Mixed media and resin on plywood

‘Cosmic Eggs’ are a series of cut out plywood egg shapes, used as tables in the production of other works, where overspray accidents and colour tests are sealed with layers of varnish and the edge finished. The painting shows remnants or shadows of past works created. The egg is a symbol of spring, fragility, loss of innocence, the beginning and the end, luck, or wealth. It's an oval or round reproductive body, a food store, and a shield. Within art it is a visual shorthand for the surrealism of imagination, new life, and un-hatched potential. The egg ushers in the next generation with new ideas realised.

‘Cosmic Eggs’ are a series of cut out plywood egg shapes, used as tables in the production of other works, where overspray accidents and colour tests are sealed with layers of varnish and the edge finished. The painting shows remnants or shadows of past works created. The egg is a symbol of spring, fragility, loss of innocence, the beginning and the end, luck, or wealth. It's an oval or round reproductive body, a food store, and a shield. Within art it is a visual shorthand for the surrealism of imagination, new life, and un-hatched potential.