'The broken mirror maze degraded and shattered so it exists as a series of small corners or small barriers. Once proudly installed as a clinical, controlled and controlling architecture, the panels are now coated with distressed paper and the ingress of moisture behind the film. The milky failure of perfect material corrupted with the organic deposits of mildew and spores. The title as a thinly veiled spoken word play on Duchamp’s ‘the Large Glass’ refers to the eponymous Yard. That place of abandoned things contains the accumulation of human aspiration and cultural failure. Smashed but preserved in a broken form, capitalising on the natural process of nature reclaiming even the most impenetrable of materials. The constituent parts create a mathematical labyrinth drifting apart like icebergs in the space. An ancient symbol now a dotted-line imbroglio. Reflecting back our shattered selves.'Text by Gavin Turk, 2015

Aluminium Frame, laminated glass, mirror film and paper residue

Labyrinths

Recycling

Duchamp

Public Sculpture

'The broken mirror maze degraded and shattered so it exists as a series of small corners or small barriers. Once proudly installed as a clinical, controlled and controlling architecture, the panels are now coated with distressed paper and the ingress of moisture behind the film. The milky failure of perfect material corrupted with the organic deposits of mildew and spores.

Bardo

Embroidery

Etching

Film

Found Object

Glass

Installation

Mixed Media

Object Trouvé

Painted Bronze

Painting

Photographic Work

Ready Made

Sculpture

Silkscreen

Work on paper

Aeroplastics Contemporary, Brussels

Ben Brown Fine Arts, London

David Nolan Gallery, New York

Galerie Krinzinger, Vienna

Maruani Mercier, Brussels & Knokke

Paul Stolper, London

Reflex, Amsterdam

Gavin Turk

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